
Mamá, mamá, mamá
Directed by Sol Berruezo Pichon-Riviére
Produced by Rita Cine, Bomba Cine
A poetic, impressionistic meditation on grief and sisterhood, told through the intimate rituals and daydreams of cousins navigating loss during a suffocating summer.
A veil of sadness lies over the oppressively hot summer days. Cleo dives into daydreams with her cousins, the girls share secret signs and rituals. Flowing gently, in impressionistic images, the empty space that the death of Cleo’s sister has left in the family is poetically encircled.
Clusters
Genres
Questions people ask
Is Mamá, mamá, mamá sad? Yes, very. More sad than 99% of films.
Is Mamá, mamá, mamá violent? No. Less violent than 92% of films.
Is Mamá, mamá, mamá scary? Barely. Less frightening than 84% of films.
Does Mamá, mamá, mamá end with hope? Not especially. Less hopeful than 70% of films.
Is Mamá, mamá, mamá easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Mamá, mamá, mamá
Nearest across the full emotional profile.
Same Mood as Mamá, mamá, mamá
Nearest on what's most distinctive about this one.
Like Mamá, mamá, mamá, But Darker
Similar, pushed toward heavier and more intense.
Like Mamá, mamá, mamá, But Lighter
Similar, pushed toward warmer and easier.
Like Mamá, mamá, mamá, But Less Popular
Same territory, far fewer people have seen it.



















































