
Maria
Directed by Pablo Larraín
Produced by Fremantle, The Apartment Pictures
A contemplative, melancholic portrait of Maria Callas in her final days, grappling with identity, legacy, and mortality through a haze of memory and surrealism.
Maria Callas, the world's greatest opera singer, lives the last days of her life in 1970s Paris, as she confronts her identity and life.
Clusters
Where to watch
- StreamNetflix
Questions people ask
Is Maria sad? Yes, very. More sad than 98% of films.
Is Maria violent? Barely. Less violent than 76% of films.
Does Maria end with hope? Not especially. Less hopeful than 70% of films.
Is Maria scary? Somewhat. More frightening than 61% of films.
Is Maria easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble










Everything like Maria, and what each one shares →
Like Maria
Nearest across the full emotional profile.
Same Mood as Maria
Nearest on what's most distinctive about this one.
Like Maria, But Darker
Similar, pushed toward heavier and more intense.
Like Maria, But Lighter
Similar, pushed toward warmer and easier.
Like Maria, But Less Popular
Same territory, far fewer people have seen it.

















































