An Interview with God

An Interview with God

What would you ask?

Directed by Perry Lang

Produced by Astute Films, Giving Films

201897 min7.0 / 10

A cerebral, faith-centered drama that uses an extraordinary interview premise to explore doubt, meaning, and the strain on a marriage caught between skepticism and belief.

An up-and-coming journalist finds his world and faith increasingly challenged when he's granted the interview of a lifetime – with someone who claims to be God.

Questions people ask

  • Is An Interview with God one of a kind? Yes, very. More singular than 98% of films.

  • Is An Interview with God violent? Barely. Less violent than 86% of films.

  • Is An Interview with God scary? Not especially. Less frightening than 65% of films.

  • Does An Interview with God end with hope? Somewhat. More hopeful than 62% of films.

  • Is An Interview with God easy watching? Somewhat. More comforting than 60% of films.

  • Is An Interview with God sad? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

83/ 100

Cinnamon Score

How much this film gives you that nothing else will, and whether it delivers.

There is almost nothing else like this.

Rarity96

How unlike any other film this one feels

Surprise84

How much more it delivers than it promises

Love70

How much audiences actually like it

The highest scores in the catalogue →

Ensemble

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Like An Interview with God

Nearest across the full emotional profile.

Same Mood as An Interview with God

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Like An Interview with God, But Darker

Similar, pushed toward heavier and more intense.

Like An Interview with God, But Lighter

Similar, pushed toward warmer and easier.

Like An Interview with God, But Less Popular

Same territory, far fewer people have seen it.

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