Yes, very. More sad than 96% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Mom end with hope?

No. Less hopeful than 91% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes. More frightening than 87% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Mom easy watching?

Not especially. Less comforting than 74% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More violent than 59% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Mom

Name: Mom
Genre: Horror, Thriller
Released: 2025
Duration: 95 min
Rating: 5.8
Cast: Emily Hampshire, François Arnaud, Christian Convery, Erika Rosenbaum, Tristan D. Lalla

A mother's love never dies.

Directed by Adam O'Brien

Produced by Delirium Pictures, Kinetic Film Group

202595 min5.8 / 10

A dark psychological horror that weaponizes maternal vulnerability and postpartum isolation, blending supernatural dread with the terror of a mind fragmenting under psychological strain.

Struggling with postnatal depression and feeling misunderstood by her husband, Meredith begins to experience terrifying visions foreshadowing an ultimate tragedy.

Clusters

Grief Turns Into Fear Outcasts and Misfits Detective And Interrogation Movies Body Switching Movies

Genres

Horror Thriller

Keywords

Entity Incident Abandoned Woman

Questions people ask

Is Mom sad? Yes, very. More sad than 96% of films.
Does Mom end with hope? No. Less hopeful than 91% of films.
Is Mom scary? Yes. More frightening than 87% of films.
Is Mom easy watching? Not especially. Less comforting than 74% of films.
Is Mom violent? Somewhat. More violent than 59% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

30/ 100