
Perfume
Fame. Power. Sex.
Directed by Michael Rymer
Produced by Lions Gate Films
A fast-paced, satirical ensemble comedy about the vanity and chaos of the fashion world, driven by high energy and playful irreverence rather than depth.
A week in the lives of a group of models, photographers, agents, reporters, publicists and other characters during a wild modeling show in New York City.
Clusters
Questions people ask
Is Perfume violent? Barely. Less violent than 76% of films.
Is Perfume sad? Not especially. Less sad than 73% of films.
Is Perfume scary? Not especially. Less frightening than 65% of films.
Does Perfume end with hope? Not especially. Less hopeful than 64% of films.
Is Perfume easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Perfume
Nearest across the full emotional profile.
Same Mood as Perfume
Nearest on what's most distinctive about this one.
Like Perfume, But Darker
Similar, pushed toward heavier and more intense.
Like Perfume, But Lighter
Similar, pushed toward warmer and easier.
Like Perfume, But Less Popular
Same territory, far fewer people have seen it.





























































