Does Private Property end with hope?

Barely. Less hopeful than 83% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Private Property scary?

Yes. More frightening than 82% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Private Property sad?

Yes. More sad than 75% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Private Property violent?

Somewhat. More violent than 68% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Private Property easy watching?

Not especially. Less comforting than 61% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Private Property

Name: Private Property
Genre: Drama, Thriller, Crime
Released: 2022
Duration: 87 min
Rating: 4.7
Cast: Ashley Benson, Shiloh Fernandez, Logan Miller, Jay Pharoah, Frank Whaley

Somebody's always watching.

Directed by Chadd Harbold

Produced by Redwire Pictures, Black Magic

202287 min4.7 / 10

A tense psychological thriller about marital dissatisfaction and deception, where a woman's vulnerability to a charming stranger masks a darker, predatory reality.

Kathryn, a struggling actress and unfulfilled housewife, becomes friendly with her new gardener, Ben. He gives her the attention and sensitivity she craves; however, he is not who he seems.

Questions people ask

Does Private Property end with hope? Barely. Less hopeful than 83% of films.
Is Private Property scary? Yes. More frightening than 82% of films.
Is Private Property sad? Yes. More sad than 75% of films.
Is Private Property violent? Somewhat. More violent than 68% of films.
Is Private Property easy watching? Not especially. Less comforting than 61% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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