
Rage
Directed by Sally Potter
A darkly satirical thriller that uses hidden-camera exposure and murder mystery to dissect vanity, complicity, and moral collapse within the fashion world.
A schoolboy uses his cellphone camera to shoot intimate interviews with people working at a New York fashion house and secretly posts them on the internet. Result: a bitterly funny expose of an industry in crisis, during a week in which an accident on the runway becomes a murder investigation, and denial leads to devastation.
Clusters
Keywords
Questions people ask
Does Rage end with hope? No. Less hopeful than 91% of films.
Is Rage sad? Somewhat. More sad than 70% of films.
Is Rage scary? Somewhat. More frightening than 67% of films.
Is Rage violent? About average. Almost exactly mid-range.
Is Rage easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Rage
Nearest across the full emotional profile.
Same Mood as Rage
Nearest on what's most distinctive about this one.
Like Rage, But Darker
Similar, pushed toward heavier and more intense.
Like Rage, But Lighter
Similar, pushed toward warmer and easier.
Like Rage, But Less Popular
Same territory, far fewer people have seen it.





























































