Is Return to Reason violent?

No. Less violent than 92% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Return to Reason easy watching?

No. Less comforting than 92% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Return to Reason end with hope?

No. Less hopeful than 91% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Return to Reason sad?

Barely. Less sad than 80% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Return to Reason scary?

Barely. Less frightening than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Return to Reason

Name: Return to Reason
Genre: Drama
Released: 1923
Duration: 3 min
Rating: 6.3
Cast: Kiki of Montparnasse

Directed by Man Ray

19233 min6.3 / 10

A radical, abstract Dadaist experiment that prioritizes visual sensation and conceptual provocation over narrative or emotional connection.

Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.

Clusters

Visually Experimental Films Absurdist Political Satire Art and Philosophy Movements Movies About Artists

Genres

Drama

Keywords

Art Avant-garde

Questions people ask

Is Return to Reason violent? No. Less violent than 92% of films.
Is Return to Reason easy watching? No. Less comforting than 92% of films.
Does Return to Reason end with hope? No. Less hopeful than 91% of films.
Is Return to Reason sad? Barely. Less sad than 80% of films.
Is Return to Reason scary? Barely. Less frightening than 76% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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