
Manifesto
ALL CURRENT ART IS FAKE
Directed by Julian Rosefeldt
Produced by BR, Schiwago Film
A cerebral, visually striking essay-film that uses Cate Blanchett's multiple personas to interrogate art manifestos and ideology through conceptual performance rather than narrative.
An edited version of Rosefeldt's installation work of the same name, Manifesto is an outstanding tribute to various (art) manifestos of the nineteenth and twentieth century, ranging from Communism to Dogme, in connection with thirteen different characters, including a homeless man, a factory worker and a corporate CEO, who are all played by Cate Blanchett. A striking humorous audio-visual experience.
Questions people ask
Is Manifesto violent? Barely. Less violent than 76% of films.
Is Manifesto scary? Not especially. Less frightening than 65% of films.
Does Manifesto end with hope? Not especially. Less hopeful than 64% of films.
Is Manifesto sad? Not especially. Less sad than 59% of films.
Is Manifesto easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble


Like Manifesto
Nearest across the full emotional profile.
Same Mood as Manifesto
Nearest on what's most distinctive about this one.
Like Manifesto, But Darker
Similar, pushed toward heavier and more intense.
Like Manifesto, But Lighter
Similar, pushed toward warmer and easier.
Like Manifesto, But Less Popular
Same territory, far fewer people have seen it.

















































