
Revolver
The last battle between crime and the law in every major city in the world.
Directed by Sergio Sollima
Produced by Mega Film, Dieter Geissler Filmproduktion
A tense, morally murky crime thriller built on escalating betrayal and desperation, where a man's attempt to save his wife spirals into a deadly game with no clear winners.
An Italian prison official's wife is kidnapped, and the kidnappers demand that a notorious prisoner be released in order for the man to get his wife back. He gets the man released - but then kidnaps him himself, in order to ensure that the man's colleagues don't kill his wife. Enraged, the gang sets out to free their compatriot and kill the man who took him.
Questions people ask
Is Revolver scary? Yes, very. More frightening than 94% of films.
Does Revolver end with hope? Barely. Less hopeful than 83% of films.
Is Revolver violent? Yes. More violent than 80% of films.
Is Revolver easy watching? Not especially. Less comforting than 74% of films.
Is Revolver sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble











Like Revolver
Nearest across the full emotional profile.
Same Mood as Revolver
Nearest on what's most distinctive about this one.
Like Revolver, But Darker
Similar, pushed toward heavier and more intense.
Like Revolver, But Lighter
Similar, pushed toward warmer and easier.
Like Revolver, But Less Popular
Same territory, far fewer people have seen it.

















































