
Smoke
The most precious things are lighter than air.
Directed by Wayne Wang
Produced by Miramax, NDF International
A gentle, character-driven ensemble piece about strangers finding unexpected kinship and meaning through small acts of grace in an urban setting.
Writer Paul Benjamin is nearly hit by a bus when he leaves Auggie Wren's smoke shop. Stranger Rashid Cole saves his life, and soon middle-aged Paul tells homeless Rashid that he wouldn't mind a short-term housemate. Still grieving over his wife's murder, Paul is moved by both Rashid's quest to reconnect with his father and Auggie's discovery that a woman who might be his daughter is about to give birth.
Clusters
Where to watch
Questions people ask
Is Smoke scary? Barely. Less frightening than 84% of films.
Is Smoke sad? Yes. More sad than 82% of films.
Is Smoke easy watching? Yes. More comforting than 77% of films.
Does Smoke end with hope? Somewhat. More hopeful than 65% of films.
Is Smoke violent? Not especially. Less violent than 64% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble












Everything like Smoke, and what each one shares →
Like Smoke
Nearest across the full emotional profile.
Same Mood as Smoke
Nearest on what's most distinctive about this one.
Like Smoke, But Darker
Similar, pushed toward heavier and more intense.
Like Smoke, But Lighter
Similar, pushed toward warmer and easier.
Like Smoke, But Less Popular
Same territory, far fewer people have seen it.

















































