Yes, very. More sad than 98% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is To Olivia violent?

No. Less violent than 92% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Barely. Less frightening than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is To Olivia easy watching?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does To Olivia end with hope?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

To Olivia

Name: To Olivia
Genre: Drama
Released: 2021
Duration: 99 min
Rating: 6.9
Cast: Hugh Bonneville, Keeley Hawes, Sam Heughan, Michael Jibson, Sam Phillips

Directed by John Hay

Produced by Atticus Pictures, Goldcrest Films

202199 min6.9 / 10

A tender yet sorrowful portrait of a marriage tested by grief, grounded in the intimate domestic life of two artists navigating loss in rural England.

In 1962, Patricia Neal and Roald Dahl retreat to the English countryside to bring up their young family. The seemingly unlikely pair find their relationship put to the test by a tragic loss.

Clusters

Love Tested by Mortality Biographical Drama Writers And Writing Funeral And Mourning Traditions

Genres

Drama

Keywords

Biography Bereavement Writer

Questions people ask

Is To Olivia sad? Yes, very. More sad than 98% of films.
Is To Olivia violent? No. Less violent than 92% of films.
Is To Olivia scary? Barely. Less frightening than 76% of films.
Is To Olivia easy watching? About average. Almost exactly mid-range.
Does To Olivia end with hope? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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