
Sons
Who is hiding the bigger monster?
Directed by Gustav Möller
Produced by Nordisk Film Denmark, Nordisk Film Sweden
A tense psychological thriller about a prison guard confronting a figure from her past, where moral compromise and hidden secrets drive an escalating cat-and-mouse game.
Eva, an idealistic prison officer, is faced with the dilemma of her life when a young man from her past gets transferred to the prison where she works. Without revealing her secret, Eva asks to be moved to the young man’s ward – the toughest and most violent in the prison. Here begins an unsettling psychological thriller, where Eva’s sense of justice puts both her morality and future at stake.
Questions people ask
Is Sons scary? Yes, very. More frightening than 94% of films.
Is Sons easy watching? Barely. Less comforting than 86% of films.
Does Sons end with hope? Barely. Less hopeful than 83% of films.
Is Sons sad? Yes. More sad than 82% of films.
Is Sons violent? Yes. More violent than 80% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Sons
Nearest across the full emotional profile.
Same Mood as Sons
Nearest on what's most distinctive about this one.
Like Sons, But Darker
Similar, pushed toward heavier and more intense.
Like Sons, But Lighter
Similar, pushed toward warmer and easier.
Like Sons, But Less Popular
Same territory, far fewer people have seen it.



























































