
Tape
Some things can't be erased.
Directed by Richard Linklater
Produced by Detour Filmproduction, InDigEnt
A claustrophobic, morally murky chamber piece about old friends confronting buried trauma and betrayal in a motel room.
Jon, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support Jon on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.
Clusters
Genres
Questions people ask
Does Tape end with hope? No. Less hopeful than 91% of films.
Is Tape one of a kind? Yes. More singular than 88% of films.
Is Tape scary? Yes. More frightening than 82% of films.
Is Tape sad? Yes. More sad than 82% of films.
Is Tape easy watching? Not especially. Less comforting than 74% of films.
Is Tape violent? Somewhat. More violent than 68% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Written about
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like Tape, and what each one shares →
Like Tape
Nearest across the full emotional profile.
Same Mood as Tape
Nearest on what's most distinctive about this one.
Like Tape, But Darker
Similar, pushed toward heavier and more intense.
Like Tape, But Lighter
Similar, pushed toward warmer and easier.
Like Tape, But Less Popular
Same territory, far fewer people have seen it.




















































