
The ABCs of Death
26 directors, 26 ways to die.
Directed by Adam Wingard, Lee Hardcastle, Ti West, Xavier Gens, Jason Eisener, Noboru Iguchi, Ben Wheatley, Timo Tjahjanto, Andrew Traucki, Jon Schnepp, Yudai Yamaguchi, Bruno Forzani, Adrián García Bogliano, Banjong Pisanthanakun, Srđan Spasojević, Simon Rumley, Jorge Michel Grau, Nacho Vigalondo, Kaare Andrews, Anders Morgenthaler, Marcel Sarmiento, Thomas Cappelen Malling, Hélène Cattet, Yoshihiro Nishimura, Ernesto Díaz Espinoza, Jake West, Angela Bettis
Produced by Drafthouse Films, Timpson Films
A provocative, high-concept horror anthology that weaponizes the alphabet as a framework for 26 wildly varied explorations of death, balancing shock value with directorial experimentation.
An ambitious anthology film featuring segments directed by over two dozen of the world's leading talents in contemporary genre film. Inspired by children's educational ABC books, the film comprises 26 individual chapters, each helmed by a different director assigned a letter of the alphabet. The directors were then given free reign in choosing a word to create a story involving death.
Clusters
Genres
Where to watch
Questions people ask
Does The ABCs of Death end with hope? No. Less hopeful than 98% of films.
Is The ABCs of Death violent? Yes, very. More violent than 97% of films.
Is The ABCs of Death easy watching? No. Less comforting than 92% of films.
Is The ABCs of Death one of a kind? Yes, very. More singular than 92% of films.
Is The ABCs of Death scary? Somewhat. More frightening than 61% of films.
Is The ABCs of Death sad? Not especially. Less sad than 59% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Written about
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble








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