
The Acrobat
Directed by Rodrigue Jean
Produced by Transmar Films, h264
A darkly complex portrait of two damaged men finding fleeting intimacy and escape in a torrid affair, marked by cynicism, defiance, and unresolved emotional turbulence.
In an ever-expanding but nondescript North American city, Christophe, a middle-aged businessman, unexpectedly encounters Micha, a Russian acrobat recovering from an injury, while house-hunting. An instant attraction is quickly consummated and they embark on a torrid affair that helps each of them cope with their respective trials. A provocative, poignant drama about intimacy in an age of anonymity.
Clusters
Genres
Questions people ask
Is The Acrobat sad? Yes. More sad than 88% of films.
Does The Acrobat end with hope? Barely. Less hopeful than 80% of films.
Is The Acrobat violent? Not especially. Less violent than 64% of films.
Is The Acrobat scary? Not especially. Less frightening than 58% of films.
Is The Acrobat easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble









Like The Acrobat
Nearest across the full emotional profile.
Same Mood as The Acrobat
Nearest on what's most distinctive about this one.
Like The Acrobat, But Darker
Similar, pushed toward heavier and more intense.
Like The Acrobat, But Lighter
Similar, pushed toward warmer and easier.
Like The Acrobat, But Less Popular
Same territory, far fewer people have seen it.

















































