
The Ballad of Gregorio Cortez
The true story of one man who made a difference.
Directed by Robert M. Young
Produced by Moctesuma Esparza Productions, American Playhouse
A historically grounded Western that examines a Mexican American folk hero's desperate flight from injustice, told through multiple perspectives that complicate the simple narrative of heroism.
In 1901, Mexican American farmer Gregorio Cortez is forced on the run from Texas Rangers, evading a massive manhunt on horseback for days following a heated misunderstanding leads to the death of a lawman.
Clusters
Questions people ask
Is The Ballad of Gregorio Cortez sad? Somewhat. More sad than 70% of films.
Is The Ballad of Gregorio Cortez scary? Somewhat. More frightening than 61% of films.
Does The Ballad of Gregorio Cortez end with hope? About average. Almost exactly mid-range.
Is The Ballad of Gregorio Cortez violent? About average. Almost exactly mid-range.
Is The Ballad of Gregorio Cortez easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble












Like The Ballad of Gregorio Cortez
Nearest across the full emotional profile.
Same Mood as The Ballad of Gregorio Cortez
Nearest on what's most distinctive about this one.
Like The Ballad of Gregorio Cortez, But Darker
Similar, pushed toward heavier and more intense.
Like The Ballad of Gregorio Cortez, But Lighter
Similar, pushed toward warmer and easier.
Like The Ballad of Gregorio Cortez, But Less Popular
Same territory, far fewer people have seen it.

















































