Is The Man from London sad?

Yes, very. More sad than 91% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does The Man from London end with hope?

No. Less hopeful than 91% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Man from London easy watching?

Not especially. Less comforting than 74% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Man from London scary?

Somewhat. More frightening than 67% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Man from London violent?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

The Man from London

Name: The Man from London
Genre: Mystery, Crime, Drama
Released: 2008
Duration: 139 min
Rating: 7.1
Cast: Miroslav Krobot, Tilda Swinton, János Derzsi, Ági Szirtes, Gyula Pauer

Directed by Béla Tarr

Produced by Black Forest Films, Cinema Soleil

2008139 min7.1 / 10

A slow-burn neo-noir meditation on moral compromise and its corrosive effects, told in austere black-and-white with the fog-bound atmosphere of a seaside crime.

A switchman at a seaside railway witnesses a murder but does not report it after he finds a suitcase full of money at the scene of the crime.

Questions people ask

Is The Man from London sad? Yes, very. More sad than 91% of films.
Does The Man from London end with hope? No. Less hopeful than 91% of films.
Is The Man from London easy watching? Not especially. Less comforting than 74% of films.
Is The Man from London scary? Somewhat. More frightening than 67% of films.
Is The Man from London violent? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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