The Moderns

The Moderns

Paris, 1926... there was nothing more modern.

Directed by Alan Rudolph

Produced by Nelson Entertainment, Alive Productions

1988126 min5.9 / 10

A witty, visually lush comedy-drama set in 1920s Paris that balances romantic entanglement and art-world intrigue with affectionate nostalgia for the expatriate bohemian era.

Nick Hart is a struggling American artist who lives amongst the expatriate community in 1920s Paris. He spends most of his time drinking and socializing in local café's and pestering gallery owner Libby Valentin to sell his paintings. He becomes involved in a plot by wealthy art patroness Nathalie de Ville to forge three paintings. This leads to several run-ins with American rubber magnate Bertram Stone, who happens to be married to Hart's ex-wife Rachel.

Questions people ask

  • Is The Moderns violent? Barely. Less violent than 76% of films.

  • Is The Moderns easy watching? Somewhat. More comforting than 71% of films.

  • Is The Moderns scary? Not especially. Less frightening than 65% of films.

  • Does The Moderns end with hope? Somewhat. More hopeful than 62% of films.

  • Is The Moderns sad? Somewhat. More sad than 61% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

25/ 100

Cinnamon Score

How much this film gives you that nothing else will, and whether it delivers.

You have seen this shape before.

Rarity67

How unlike any other film this one feels

Surprise5

How much more it delivers than it promises

Love20

How much audiences actually like it

The highest scores in the catalogue →

Ensemble

Like The Moderns

Nearest across the full emotional profile.

Same Mood as The Moderns

Nearest on what's most distinctive about this one.

Like The Moderns, But Darker

Similar, pushed toward heavier and more intense.

Like The Moderns, But Lighter

Similar, pushed toward warmer and easier.

Like The Moderns, But Less Popular

Same territory, far fewer people have seen it.

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