
The Passenger
Ride or die.
Directed by Carter Smith
Produced by Blumhouse Productions
A tense road-bound thriller where a passive man must confront his past and inner demons while trapped with a violent killer in a confined, inescapable situation.
Randolph Bradley is perfectly content fading into the background, but when his coworker Benson snaps and goes on a violent killing spree, he’s forced to face his fears and confront his troubled past in order to find a way to survive.
Clusters
Questions people ask
Is The Passenger one of a kind? No. Less singular than 96% of films.
Is The Passenger scary? Yes, very. More frightening than 94% of films.
Is The Passenger violent? Yes. More violent than 83% of films.
Is The Passenger easy watching? Not especially. Less comforting than 74% of films.
Is The Passenger sad? Somewhat. More sad than 70% of films.
Does The Passenger end with hope? Not especially. Less hopeful than 70% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like The Passenger, and what each one shares →
Like The Passenger
Nearest across the full emotional profile.
Same Mood as The Passenger
Nearest on what's most distinctive about this one.
Like The Passenger, But Darker
Similar, pushed toward heavier and more intense.
Like The Passenger, But Lighter
Similar, pushed toward warmer and easier.
Like The Passenger, But Less Popular
Same territory, far fewer people have seen it.

























































