
The Possession of Joel Delaney
If you believe, no explanation is necessary. If you don't believe, no explanation is possible.
Directed by Waris Hussein
Produced by Paramount Pictures, Haworth Productions
A dark, spiritually-charged possession horror that explores class anxiety and the fragility of sanity through the lens of a woman's desperate belief in her brother's demonic affliction.
An upper-class Manhattan divorcee comes to believe that her brother is possessed by the spirit of a serial killer who beheaded young women in Spanish Harlem.
Clusters
Genres
Questions people ask
Is The Possession of Joel Delaney scary? Yes, very. More frightening than 94% of films.
Does The Possession of Joel Delaney end with hope? Barely. Less hopeful than 83% of films.
Is The Possession of Joel Delaney violent? Yes. More violent than 80% of films.
Is The Possession of Joel Delaney easy watching? Not especially. Less comforting than 74% of films.
Is The Possession of Joel Delaney sad? Somewhat. More sad than 70% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like The Possession of Joel Delaney
Nearest across the full emotional profile.
Same Mood as The Possession of Joel Delaney
Nearest on what's most distinctive about this one.
Like The Possession of Joel Delaney, But Darker
Similar, pushed toward heavier and more intense.
Like The Possession of Joel Delaney, But Lighter
Similar, pushed toward warmer and easier.
Like The Possession of Joel Delaney, But Less Popular
Same territory, far fewer people have seen it.
























































