
The Selling
5 bedrooms. 4 bath. 12 ghosts.
Directed by Emily Lou
A comedic supernatural romp about a real estate agent juggling the absurdity of haunted houses and the 2008 housing crisis, blending paranormal hijinks with workplace humor.
For most people affected by the recent housing market crash, the impact was financial. Super nice real estate agent Richard Scarry has an additional burden: the paranormal.
Genres
Questions people ask
Is The Selling violent? Barely. Less violent than 76% of films.
Is The Selling scary? Somewhat. More frightening than 61% of films.
Is The Selling easy watching? Somewhat. More comforting than 60% of films.
Is The Selling sad? Not especially. Less sad than 59% of films.
Does The Selling end with hope? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like The Selling
Nearest across the full emotional profile.
Same Mood as The Selling
Nearest on what's most distinctive about this one.
Like The Selling, But Darker
Similar, pushed toward heavier and more intense.
Like The Selling, But Lighter
Similar, pushed toward warmer and easier.
Like The Selling, But Less Popular
Same territory, far fewer people have seen it.


























































