Yes, very. More sad than 96% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Touch violent?

Barely. Less violent than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does The Touch end with hope?

Not especially. Less hopeful than 70% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Not especially. Less frightening than 65% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Touch easy watching?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

The Touch

Name: The Touch
Genre: Drama, Romance
Released: 1971
Duration: 115 min
Rating: 5.9
Cast: Elliott Gould, Bibi Andersson, Max von Sydow, Sheila Reid, Margaretha Byström

Directed by Ingmar Bergman

Produced by ABC Pictures, Cinematograph AB

1971115 min5.9 / 10

A melancholic exploration of an ill-fated affair between two damaged people, where romantic connection collides with unhealed trauma and emotional incompatibility.

A Swedish housewife begins an adulterous affair with an American archaeologist, unaware of his emotional scars as a Holocaust survivor; consequently, their relationship will be painfully difficult.

Clusters

Forbidden Love Story Romantic Love Stories

Genres

Drama Romance

Keywords

Love Love Affair

Questions people ask

Is The Touch sad? Yes, very. More sad than 96% of films.
Is The Touch violent? Barely. Less violent than 76% of films.
Does The Touch end with hope? Not especially. Less hopeful than 70% of films.
Is The Touch scary? Not especially. Less frightening than 65% of films.
Is The Touch easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.