Yes, very. More sad than 98% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Pasolini one of a kind?

Yes. More singular than 89% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Pasolini end with hope?

Barely. Less hopeful than 83% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More frightening than 67% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Not especially. Less violent than 64% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Pasolini easy watching?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Pasolini

Name: Pasolini
Genre: History, Drama
Released: 2014
Duration: 87 min
Rating: 5.7
Cast: Willem Dafoe, Ninetto Davoli, Riccardo Scamarcio, Valerio Mastandrea, Roberto Zibetti

A kaleidoscopic look at the last day of Italian filmmaker Pier Paolo Pasolini in 1975.

Directed by Abel Ferrara

Produced by Tarantula, Capricci Films

201487 min5.7 / 10

A fragmented, introspective portrait of Pasolini's final hours that dissolves the boundary between his life and artistic vision, suffused with melancholy and intellectual rigor.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

Clusters

Dark Stories About Forbidden Desire Mental Illness Caregiving Loneliness and Longing Biographical Drama

Genres

History Drama

Keywords

Biography

Questions people ask

Is Pasolini sad? Yes, very. More sad than 98% of films.
Is Pasolini one of a kind? Yes. More singular than 89% of films.
Does Pasolini end with hope? Barely. Less hopeful than 83% of films.
Is Pasolini scary? Somewhat. More frightening than 67% of films.
Is Pasolini violent? Not especially. Less violent than 64% of films.
Is Pasolini easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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