
TwentyFourSeven
Everybody wants to be somebody.
Directed by Shane Meadows
Produced by Scala Films
A earnest, character-driven drama about a mentor figure using boxing to redirect troubled youth toward purpose and community in a struggling English town.
In a typical English working-class town, the juveniles have nothing more to do than hang around in gangs. One day, Alan Darcy, a highly motivated man with the same kind of youth experience, starts trying to get the young people off the street and into doing something they can believe in: Boxing. Darcy opens a boxing club, aiming to bring the rival gangs together.
Clusters
Genres
Questions people ask
Does TwentyFourSeven end with hope? Yes. More hopeful than 81% of films.
Is TwentyFourSeven easy watching? Somewhat. More comforting than 71% of films.
Is TwentyFourSeven scary? Not especially. Less frightening than 58% of films.
Is TwentyFourSeven violent? About average. Almost exactly mid-range.
Is TwentyFourSeven sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like TwentyFourSeven
Nearest across the full emotional profile.
Same Mood as TwentyFourSeven
Nearest on what's most distinctive about this one.
Like TwentyFourSeven, But Darker
Similar, pushed toward heavier and more intense.
Like TwentyFourSeven, But Lighter
Similar, pushed toward warmer and easier.
Like TwentyFourSeven, But Less Popular
Same territory, far fewer people have seen it.
























































