
We Want the Colonels
Directed by Mario Monicelli
Produced by Dean Film
A darkly comic political satire about a bungled fascist coup attempt that exposes the absurdity and moral bankruptcy of authoritarian power-grabbing.
Italy 1973. Giuseppe Tritoni (Ugo Tognazzi) is an ultra-right-wing congressman that doesn't agree anymore with his fascist party policy. He contacts many Italian Army officers and built a net of relationship in order to organize a Coup d'Etat (Golpe). Something goes wrong and the Interior Minister (Home Secretary) Mr. Li Masi (Lino Pugliesi) got the all information about the attempted Golpe. So the Minister organizes a counter-Golpe. Tritoni desperately, to save his project, kidnaps the Italian Republic President (Claude Dauphin) that immediately dies for heartache. Now Minister Mr. Li Masi is free to lay down the law to the rest of the country, realizing basically the actual Golpe! Tritoni surrenders and will spend rest of his time trying to sell his ideas about managing Golpe in Africa!
Clusters
Genres
Questions people ask
Does We Want the Colonels end with hope? Barely. Less hopeful than 83% of films.
Is We Want the Colonels easy watching? Not especially. Less comforting than 74% of films.
Is We Want the Colonels scary? Somewhat. More frightening than 67% of films.
Is We Want the Colonels sad? Not especially. Less sad than 59% of films.
Is We Want the Colonels violent? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble








Like We Want the Colonels
Nearest across the full emotional profile.
Same Mood as We Want the Colonels
Nearest on what's most distinctive about this one.
Like We Want the Colonels, But Darker
Similar, pushed toward heavier and more intense.
Like We Want the Colonels, But Lighter
Similar, pushed toward warmer and easier.
Like We Want the Colonels, But Less Popular
Same territory, far fewer people have seen it.

















































