Is Wrong Swipe scary?

Yes. More frightening than 82% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Wrong Swipe end with hope?

Barely. Less hopeful than 80% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More sad than 70% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Wrong Swipe violent?

Somewhat. More violent than 68% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Wrong Swipe easy watching?

Not especially. Less comforting than 61% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Wrong Swipe

Name: Wrong Swipe
Genre: Drama, Thriller, TV Movie
Released: 2016
Duration: 85 min
Rating: 6.1
Cast: Anna Hutchison, Karissa Lee Staples, Rhys Ward, Philipp Karner, Jill Whelan

A dating app with deadly stakes.

Directed by Matthew Leutwyler

Produced by MarVista Entertainment, The Cartel

201685 min6.1 / 10

A tense thriller about online dating gone wrong, where a vulnerable woman becomes the target of a predatory stalker, building paranoia and dread through digital and physical threat.

When Anna has a difficult time getting close to people, her sister creates a dating profile for her online. Anna starts to message a handsome man until she starts getting disturbing messages that a match is close by.

Questions people ask

Is Wrong Swipe scary? Yes. More frightening than 82% of films.
Does Wrong Swipe end with hope? Barely. Less hopeful than 80% of films.
Is Wrong Swipe sad? Somewhat. More sad than 70% of films.
Is Wrong Swipe violent? Somewhat. More violent than 68% of films.
Is Wrong Swipe easy watching? Not especially. Less comforting than 61% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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