
Zombie Nightmare
The Wasted Ain't Wasted
Directed by Jack Bravman
Produced by Gold-Gems Ltd.
A low-budget horror-revenge tale that blends voodoo mythology with slasher mechanics, played with a campy, whimsical tone that undercuts its darker premise.
Tony Washington is killed in a hit-and-run after saving the local bodega clerk from robbers. Molly Mokembe is a Haitian voodou practitioner who brings him back as a zombi from a debt owed by Tony's late dad in an act of sacrifice that saved her. Jimbo, the kid that iced Tony, is embracing some new sadistic feelings. What follows is a revenge that can only be sated once all of those who were with Jimbo that night have had their due.
Clusters
Genres
Questions people ask
Does Zombie Nightmare end with hope? No. Less hopeful than 91% of films.
Is Zombie Nightmare violent? Yes. More violent than 80% of films.
Is Zombie Nightmare easy watching? Not especially. Less comforting than 74% of films.
Is Zombie Nightmare scary? Somewhat. More frightening than 72% of films.
Is Zombie Nightmare sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble





Like Zombie Nightmare
Nearest across the full emotional profile.
Same Mood as Zombie Nightmare
Nearest on what's most distinctive about this one.
Like Zombie Nightmare, But Darker
Similar, pushed toward heavier and more intense.
Like Zombie Nightmare, But Lighter
Similar, pushed toward warmer and easier.
Like Zombie Nightmare, But Less Popular
Same territory, far fewer people have seen it.

















































