
15/67: TV
Directed by Kurt Kren
A formally austere, voyeuristic silent film that uses static framing and observational distance to create an ambiguous meditation on watching, waiting, and the ethics of the gaze.
Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image and the clearly stratified mise-en-scène can hardly provoke interpretation. The sight of the girls does so all the more. Kren, the gentle voyeur - who turns the viewer into a secret accomplice - observes three teenagers, and probably like them, awaits a rendezvous. (Thomas Trummer)
Clusters
Genres
Keywords
Questions people ask
Is 15/67: TV violent? No. Less violent than 92% of films.
Does 15/67: TV end with hope? Not especially. Less hopeful than 64% of films.
Is 15/67: TV sad? Somewhat. More sad than 61% of films.
Is 15/67: TV scary? About average. Almost exactly mid-range.
Is 15/67: TV easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Like 15/67: TV
Nearest across the full emotional profile.
Same Mood as 15/67: TV
Nearest on what's most distinctive about this one.
Like 15/67: TV, But Darker
Similar, pushed toward heavier and more intense.
Like 15/67: TV, But Lighter
Similar, pushed toward warmer and easier.
Like 15/67: TV, But Less Popular
Same territory, far fewer people have seen it.

















































