21-87

21-87

Directed by Arthur Lipsett

Produced by ONF | NFB

196310 min6.8 / 10

An avant-garde collage of found and original footage that uses fragmentation and juxtaposition to critique technological society and probe existential meaning.

This short film from Arthur Lipsett is an abstract collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he worked as an animator), combined with his own black and white 16mm footage shot on the streets of Montreal and New York City, among other locations. A commentary on a machine-dominated society, it is often cited as an influence on George Lucas's Star Wars and his conceptualization of "The Force."

Questions people ask

  • Does 21-87 end with hope? Barely. Less hopeful than 83% of films.

  • Is 21-87 violent? Barely. Less violent than 76% of films.

  • Is 21-87 easy watching? Not especially. Less comforting than 74% of films.

  • Is 21-87 scary? Somewhat. More frightening than 61% of films.

  • Is 21-87 sad? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

77/ 100

Cinnamon Score

How much this film gives you that nothing else will, and whether it delivers.

Distinctly its own thing.

Rarity96

How unlike any other film this one feels

Surprise79

How much more it delivers than it promises

Love60

How much audiences actually like it

The highest scores in the catalogue →

Ensemble

Like 21-87

Nearest across the full emotional profile.

Same Mood as 21-87

Nearest on what's most distinctive about this one.

Like 21-87, But Darker

Similar, pushed toward heavier and more intense.

Like 21-87, But Lighter

Similar, pushed toward warmer and easier.

Like 21-87, But Less Popular

Same territory, far fewer people have seen it.

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