Yes, very. More sad than 96% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Allonsanfan end with hope?

Barely. Less hopeful than 80% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Allonsanfan scary?

Somewhat. More frightening than 61% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Allonsanfan easy watching?

Not especially. Less comforting than 61% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Allonsanfan violent?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Allonsanfan

Name: Allonsanfan
Genre: History, Drama
Released: 1974
Duration: 111 min
Rating: 6.9
Cast: Marcello Mastroianni, Lea Massari, Mimsy Farmer, Laura Betti, Claudio Cassinelli

Directed by Vittorio Taviani, Paolo Taviani

Produced by Una Cooperativa Cinematografica

1974111 min6.9 / 10

A somber, intellectually rigorous portrait of revolutionary idealism collapsing under the weight of personal failure, historical defeat, and the gap between principle and human weakness.

After the 1815 Restoration, an aging revolutionary finds himself reluctantly involved in an attempted insurrection in Southern Italy while growing increasingly disillusioned with his cause.

Questions people ask

Is Allonsanfan sad? Yes, very. More sad than 96% of films.
Does Allonsanfan end with hope? Barely. Less hopeful than 80% of films.
Is Allonsanfan scary? Somewhat. More frightening than 61% of films.
Is Allonsanfan easy watching? Not especially. Less comforting than 61% of films.
Is Allonsanfan violent? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

55/ 100