Somewhat. More frightening than 72% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Not especially. Less sad than 59% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Backflash violent?

Somewhat. More violent than 59% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Backflash end with hope?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Backflash easy watching?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Backflash

Name: Backflash
Genre: Crime, Action
Released: 2002
Duration: 90 min
Rating: 5.1
Cast: Robert Patrick, Jennifer Esposito, Mike Starr, Melissa Joan Hart, Mike Hagerty

There's Nothing Real In This... But The Money.

Directed by Philip J. Jones

Produced by Paragon Film Group

200290 min5.1 / 10

A crime-action thriller centered on a con game where a recently released woman orchestrates an elaborate scam against a mob boss, balancing scheming energy with moderate tension and deception.

A woman is released from prison and heads home to help outwit a local mob boss and pull off the scam of a lifetime.

Clusters

Funny Heist Movies Trapped Conspiracy Thrillers Comedic Heist Movies

Genres

Crime Action

Questions people ask

Is Backflash scary? Somewhat. More frightening than 72% of films.
Is Backflash sad? Not especially. Less sad than 59% of films.
Is Backflash violent? Somewhat. More violent than 59% of films.
Does Backflash end with hope? About average. Almost exactly mid-range.
Is Backflash easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

13/ 100