
Baltimore
Heiress. Rebel. Revolutionary.
Directed by Joe Lawlor, Christine Molloy
Produced by Desperate Optimists Productions, Samson Films
A tense, character-driven thriller about ideological conviction and its personal cost, grounded in 1970s political upheaval and the aftermath of a high-stakes heist.
Based on actual events that took place on 26 April 1974, former debutante turned IRA member Rose Dugdale and three comrades carried out an armed raid on Russborough House, Wicklow, in which nineteen masterpieces were stolen in an effort to support the IRA’s armed struggle. The film plays out over the course of the days following the raid, when Rose is in hiding in a remote cottage.
Clusters
Questions people ask
Is Baltimore sad? Yes. More sad than 75% of films.
Is Baltimore scary? Somewhat. More frightening than 72% of films.
Does Baltimore end with hope? Not especially. Less hopeful than 61% of films.
Is Baltimore violent? Somewhat. More violent than 59% of films.
Is Baltimore easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Baltimore
Nearest across the full emotional profile.
Same Mood as Baltimore
Nearest on what's most distinctive about this one.
Like Baltimore, But Darker
Similar, pushed toward heavier and more intense.
Like Baltimore, But Lighter
Similar, pushed toward warmer and easier.
Like Baltimore, But Less Popular
Same territory, far fewer people have seen it.




























































