Is Crash one of a kind?

Yes, very. More singular than 99% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Crash end with hope?

No. Less hopeful than 98% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Crash easy watching?

No. Less comforting than 92% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes. More violent than 80% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Crash

Name: Crash
Genre: Thriller, Drama
Released: 1996
Duration: 100 min
Rating: 6.5
Cast: James Spader, Holly Hunter, Elias Koteas, Deborah Kara Unger, Rosanna Arquette

Exploring the ultimate thrill where body and metal become one.

Directed by David Cronenberg

Produced by Alliance Films, Recorded Picture Company

1996100 min6.5 / 10

A transgressive, intellectually provocative exploration of desire and trauma that uses car crashes as a metaphor for sexual obsession and the body's capacity for pleasure in pain.

A car crash victim inexplicably finds himself aroused by car accidents and becomes involved with an underground subculture of like-minded souls.

Where to watch

Not available in United States — it streams in other countries.

Questions people ask

Is Crash one of a kind? Yes, very. More singular than 99% of films.
Does Crash end with hope? No. Less hopeful than 98% of films.
Is Crash easy watching? No. Less comforting than 92% of films.
Is Crash violent? Yes. More violent than 80% of films.
Is Crash sad? About average. Almost exactly mid-range.
Is Crash scary? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.