
Dashcam
Directed by Rob Savage
Produced by Blumhouse Productions, Shadowhouse Films
A visceral, found-footage supernatural horror that weaponizes bodily disgust and paranoia to trap a self-absorbed protagonist in an escalating nightmare with an unknowable supernatural entity.
At the start of the pandemic, an indulgent and self-deluded livestreaming improv musician abandons L.A. for London, steals her ex-bandmate's car, and makes the fateful decision to give a ride to an elderly woman who is not what she seems.
Clusters
Genres
Questions people ask
Is Dashcam scary? Yes, very. More frightening than 99% of films.
Does Dashcam end with hope? No. Less hopeful than 98% of films.
Is Dashcam easy watching? No. Less comforting than 92% of films.
Is Dashcam violent? Yes. More violent than 80% of films.
Is Dashcam sad? Not especially. Less sad than 59% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble











Like Dashcam
Nearest across the full emotional profile.
Same Mood as Dashcam
Nearest on what's most distinctive about this one.
Like Dashcam, But Darker
Similar, pushed toward heavier and more intense.
Like Dashcam, But Lighter
Similar, pushed toward warmer and easier.
Like Dashcam, But Less Popular
Same territory, far fewer people have seen it.

















































