End

End

Directed by Artavazd Peleshian

Produced by Hayk Studio

199210 min6.4 / 10

A meditative, allegorical short film that transforms mundane train footage into a poetic meditation on mortality, passage, and transcendence.

Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey through a black tunnel, and a final emergence into pure white light.

Questions people ask

  • Is End violent? No. Less violent than 92% of films.

  • Is End scary? Barely. Less frightening than 76% of films.

  • Is End sad? Somewhat. More sad than 70% of films.

  • Does End end with hope? Somewhat. More hopeful than 62% of films.

  • Is End easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

54/ 100

Cinnamon Score

How much this film gives you that nothing else will, and whether it delivers.

Familiar shape, done well.

Rarity96

How unlike any other film this one feels

Surprise35

How much more it delivers than it promises

Love40

How much audiences actually like it

The highest scores in the catalogue →

Like End

Nearest across the full emotional profile.

Same Mood as End

Nearest on what's most distinctive about this one.

Like End, But Darker

Similar, pushed toward heavier and more intense.

Like End, But Lighter

Similar, pushed toward warmer and easier.

Like End, But Less Popular

Same territory, far fewer people have seen it.

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