
Eros
Three visionary directors. One erotic journey.
Directed by Steven Soderbergh, Michelangelo Antonioni, Wong Kar-Wai
Produced by Block 2 Pictures, Solaris Film
A sensual, introspective three-part meditation on desire, longing, and the gap between physical attraction and emotional fulfillment, told with visual elegance and psychological depth.
A three-part anthology about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor.
Clusters
Questions people ask
Is Eros sad? Yes. More sad than 88% of films.
Is Eros violent? Barely. Less violent than 76% of films.
Is Eros scary? Not especially. Less frightening than 65% of films.
Does Eros end with hope? Not especially. Less hopeful than 64% of films.
Is Eros easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Written about
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Eros
Nearest across the full emotional profile.
Same Mood as Eros
Nearest on what's most distinctive about this one.
Like Eros, But Darker
Similar, pushed toward heavier and more intense.
Like Eros, But Lighter
Similar, pushed toward warmer and easier.
Like Eros, But Less Popular
Same territory, far fewer people have seen it.



























































