
Jesus
One betrayal is enough
Directed by Fernando Guzzoni
Produced by unafilm, JBA Production
A dark moral reckoning that follows an 18-year-old's descent into violence and his struggle to confront the consequences of a brutal hate crime.
18-year-old Jesús lives with his stern, somewhat unaffectionate father in Santiago, Chile. When not doing drugs, having casual sex or simply slouching in front of the TV, Jesús and his friends perform in a K-pop boyband. But his routine is thrown into chaos one evening when he and his drunken posse viciously assault a young gay man and leave him for dead. It’s an act that propels Jesús into a profound moral crisis which have severe consequences.
Genres
Keywords
Questions people ask
Is Jesus sad? Yes, very. More sad than 96% of films.
Is Jesus violent? Yes. More violent than 88% of films.
Is Jesus easy watching? Barely. Less comforting than 86% of films.
Is Jesus scary? Somewhat. More frightening than 72% of films.
Does Jesus end with hope? Not especially. Less hopeful than 70% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Jesus
Nearest across the full emotional profile.
Same Mood as Jesus
Nearest on what's most distinctive about this one.
Like Jesus, But Darker
Similar, pushed toward heavier and more intense.
Like Jesus, But Lighter
Similar, pushed toward warmer and easier.
Like Jesus, But Less Popular
Same territory, far fewer people have seen it.





















































