
Swoon
Love gone mad. History gone bad.
Directed by Tom Kalin
A dark, intellectually rigorous examination of two young men whose sexual and romantic bond becomes entangled with amorality and murder, told through a queer lens that interrogates desire, complicity, and historical judgment.
Teenagers Nathan Leopold Jr. and Richard Loeb share a dangerous sexual bond and an amoral outlook on life. They spend afternoons breaking into storefronts and engaging in petty crimes, until the calculating Nathan ups the ante by kidnapping, and murdering, a young boy.
Clusters
Genres
Questions people ask
Does Swoon end with hope? No. Less hopeful than 99% of films.
Is Swoon easy watching? No. Less comforting than 92% of films.
Is Swoon sad? Yes. More sad than 82% of films.
Is Swoon violent? Yes. More violent than 80% of films.
Is Swoon scary? Somewhat. More frightening than 61% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble








Like Swoon
Nearest across the full emotional profile.
Same Mood as Swoon
Nearest on what's most distinctive about this one.
Like Swoon, But Darker
Similar, pushed toward heavier and more intense.
Like Swoon, But Lighter
Similar, pushed toward warmer and easier.
Like Swoon, But Less Popular
Same territory, far fewer people have seen it.

















































