
Meantime
Directed by Mike Leigh
Produced by Central Independent Television
A gritty, character-driven portrait of working-class struggle and family dynamics during Thatcher-era recession, balancing dark social realism with observational comedy.
A working-class family in London's East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis is working; father Frank and the couple's two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.
Clusters
Questions people ask
Is Meantime sad? Yes. More sad than 82% of films.
Does Meantime end with hope? Barely. Less hopeful than 78% of films.
Is Meantime scary? Not especially. Less frightening than 58% of films.
Is Meantime violent? About average. Almost exactly mid-range.
Is Meantime easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Meantime
Nearest across the full emotional profile.
Same Mood as Meantime
Nearest on what's most distinctive about this one.
Like Meantime, But Darker
Similar, pushed toward heavier and more intense.
Like Meantime, But Lighter
Similar, pushed toward warmer and easier.
Like Meantime, But Less Popular
Same territory, far fewer people have seen it.



























































