All or Nothing

All or Nothing

Directed by Mike Leigh

Produced by StudioCanal, Les Films Alain Sarde

2002128 min7.1 / 10

A bleak, intimate portrait of working-class despair in London, where a fractured family struggles through joyless routines with little hope of escape.

Penny works at a supermarket and Phil is a gentle taxi-driver. Penny’s love for Phil has run dry and they lead joyless lives with their two children, Rachel, a cleaner, and Rory, who is unemployed and aggressive.

Questions people ask

  • Is All or Nothing sad? Yes, very. More sad than 98% of films.

  • Does All or Nothing end with hope? No. Less hopeful than 91% of films.

  • Is All or Nothing easy watching? Not especially. Less comforting than 74% of films.

  • Is All or Nothing scary? Not especially. Less frightening than 58% of films.

  • Is All or Nothing violent? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

79/ 100

Cinnamon Score

How much this film gives you that nothing else will, and whether it delivers.

Distinctly its own thing.

Rarity72

How unlike any other film this one feels

Surprise93

How much more it delivers than it promises

Love72

How much audiences actually like it

The highest scores in the catalogue →

Ensemble

Like All or Nothing

Nearest across the full emotional profile.

Same Mood as All or Nothing

Nearest on what's most distinctive about this one.

Like All or Nothing, But Darker

Similar, pushed toward heavier and more intense.

Like All or Nothing, But Lighter

Similar, pushed toward warmer and easier.

Like All or Nothing, But Less Popular

Same territory, far fewer people have seen it.

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