
Mr. Fix It
A man who tricks women into returning to their ex-boyfriends soon finds himself falling for one of his marks.
Directed by Darin Ferriola
Produced by One-Tu-Three Productions Inc., Chicaray Films
A lighthearted romantic comedy about a professional heartbreaker who unexpectedly falls for one of his targets, built on charm and the central conceit of romantic deception.
Lance Valenteen makes a living as "Mr. Fix It," a man who gets hired by men that have just recently been dumped by their girlfriend. Lance dates the guys' ex-girlfriend and becomes the worst date possible, sending the girl back into her ex-boyfriends arms. But when Lance gets hired by Bill Smith to get Sophia Fiori back, Lance, for the first time, starts falling for one of his marks.
Clusters
Questions people ask
Is Mr. Fix It violent? No. Less violent than 92% of films.
Is Mr. Fix It easy watching? Yes. More comforting than 88% of films.
Is Mr. Fix It scary? Barely. Less frightening than 84% of films.
Does Mr. Fix It end with hope? Yes. More hopeful than 81% of films.
Is Mr. Fix It sad? Not especially. Less sad than 73% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Mr. Fix It
Nearest across the full emotional profile.
Same Mood as Mr. Fix It
Nearest on what's most distinctive about this one.
Like Mr. Fix It, But Darker
Similar, pushed toward heavier and more intense.
Like Mr. Fix It, But Lighter
Similar, pushed toward warmer and easier.
Like Mr. Fix It, But Less Popular
Same territory, far fewer people have seen it.




























































