Does Nana end with hope?

No. Less hopeful than 91% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes. More sad than 82% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Not especially. Less violent than 64% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Nana easy watching?

Not especially. Less comforting than 61% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Not especially. Less frightening than 58% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Nana

Name: Nana
Genre: Drama, Romance
Released: 1926
Duration: 168 min
Rating: 6.7
Cast: Catherine Hessling, Pierre Lestringuez, Jacqueline Forzane, Werner Krauss, Jean Angelo

Directed by Jean Renoir

Produced by Les Films Jean Renoir

1926168 min6.7 / 10

A morally complex silent-era drama about a ruthless stage actress who exploits her beauty and sexuality to climb society, leaving destruction in her wake.

Count Moffat becomes infatuated with Nana, a presumptuous stage actress, vulgar, hypocritical and promiscuous, willing to do anything to succeed.

Clusters

Fantasy Versus Reality Forbidden Love Story Musical Theatre & Opera Film Genres and Movements Rich and Wealthy Families

Genres

Drama Romance

Keywords

Based On Novel Or Book Social Climbing Stage Actress Silent Cinema

Questions people ask

Does Nana end with hope? No. Less hopeful than 91% of films.
Is Nana sad? Yes. More sad than 82% of films.
Is Nana violent? Not especially. Less violent than 64% of films.
Is Nana easy watching? Not especially. Less comforting than 61% of films.
Is Nana scary? Not especially. Less frightening than 58% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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