
Otto - The Disaster Movie
Directed by Edzard Onneken
Produced by Rialto Film
A frenetic, absurdist German comedy that revels in wordplay, chaos, and self-aware filmmaking as a bumbling protagonist leaves destruction in his wake.
A man from Ostfriesland travels to Hamburg and sets course for America on a steamship to conquer this New World as well. What he leaves behind is a swath of devastation, a breach of confusion, a Milky Way full of music, a dead end full of mad jokes and perhaps a touch too much wordplay at the expense of others. But what is worst of all: he has also made a film about it!
Clusters
Genres
Questions people ask
Is Otto - The Disaster Movie scary? Barely. Less frightening than 84% of films.
Is Otto - The Disaster Movie sad? Barely. Less sad than 80% of films.
Is Otto - The Disaster Movie violent? Barely. Less violent than 76% of films.
Does Otto - The Disaster Movie end with hope? About average. Almost exactly mid-range.
Is Otto - The Disaster Movie easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble










Like Otto - The Disaster Movie
Nearest across the full emotional profile.
Same Mood as Otto - The Disaster Movie
Nearest on what's most distinctive about this one.
Like Otto - The Disaster Movie, But Darker
Similar, pushed toward heavier and more intense.
Like Otto - The Disaster Movie, But Lighter
Similar, pushed toward warmer and easier.
Like Otto - The Disaster Movie, But Less Popular
Same territory, far fewer people have seen it.

















































