Yes, very. More sad than 91% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Prison end with hope?

Barely. Less hopeful than 78% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More frightening than 67% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Prison easy watching?

Not especially. Less comforting than 61% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Prison

Name: Prison
Genre: Drama
Released: 1949
Duration: 75 min
Rating: 7.1
Cast: Doris Svedlund, Birger Malmsten, Eva Henning, Hasse Ekman, Stig Olin

Directed by Ingmar Bergman

Produced by Terrafilm

194975 min7.1 / 10

A dark, philosophically ambitious meditation on artistic ambition, human limitation, and spiritual struggle, told through a filmmaker's descent into moral and existential crisis.

A filmmaker sets out to create the greatest film in history, but finds out that human abilities have limits.

Clusters

Ambiguous Mental Breakdown Stories Dark Stories About Forbidden Desire Religion Versus The System Reality Turning Into Horror Exes and Divorced Couples

Genres

Drama

Keywords

Suicide Film In Film Religion Prostitution Devil Abusive Boyfriend

Questions people ask

Is Prison sad? Yes, very. More sad than 91% of films.
Does Prison end with hope? Barely. Less hopeful than 78% of films.
Is Prison scary? Somewhat. More frightening than 67% of films.
Is Prison easy watching? Not especially. Less comforting than 61% of films.
Is Prison violent? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.