
Rider
A night. A delivery. A life.
Directed by Ignacio Estaregui
Produced by Centuria Films, Estaregui y Sendino & Machín
A tense, socially conscious thriller about a gig-economy worker navigating precarity, danger, and personal crisis in a single night, grounded in the lived reality of millions.
A young woman working as a rider is forced to make a dangerous delivery that will put her life at risk during a night filled with urgent personal problems that she must solve through phone calls. Millions of people make a living as riders around the world, Fio’s story of redemtion is but one of them.
Clusters
Questions people ask
Is Rider sad? Yes. More sad than 75% of films.
Is Rider scary? Somewhat. More frightening than 61% of films.
Does Rider end with hope? Somewhat. More hopeful than 58% of films.
Is Rider violent? About average. Almost exactly mid-range.
Is Rider easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Rider
Nearest across the full emotional profile.
Same Mood as Rider
Nearest on what's most distinctive about this one.
Like Rider, But Darker
Similar, pushed toward heavier and more intense.
Like Rider, But Lighter
Similar, pushed toward warmer and easier.
Like Rider, But Less Popular
Same territory, far fewer people have seen it.





















































