
Romaine 30° Below
Directed by Agnès Obadia
Produced by Agat Films & Cie / Ex Nihilo, Max Films
A comedic self-discovery journey about a woman breaking free from her old life and finding herself in the Canadian wilderness.
Romaine, a tall thirty-year-old woman, has not found herself yet. She has been living for several years with her boyfriend Justin. When, overnight, the latter drags her after him to Canada in order to start a new life, she blows smoke. Not only does she hate surprises but she is scared to death of taking the plane. Once in Montréal Airport, she dumps Justin after confessing to him things he would rather not have heard. Her Far North adventures can start...
Genres
Keywords
Questions people ask
Is Romaine 30° Below violent? No. Less violent than 92% of films.
Does Romaine 30° Below end with hope? Yes. More hopeful than 81% of films.
Is Romaine 30° Below easy watching? Yes. More comforting than 77% of films.
Is Romaine 30° Below scary? Barely. Less frightening than 76% of films.
Is Romaine 30° Below sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble










Like Romaine 30° Below
Nearest across the full emotional profile.
Same Mood as Romaine 30° Below
Nearest on what's most distinctive about this one.
Like Romaine 30° Below, But Darker
Similar, pushed toward heavier and more intense.
Like Romaine 30° Below, But Lighter
Similar, pushed toward warmer and easier.
Like Romaine 30° Below, But Less Popular
Same territory, far fewer people have seen it.

















































