
The Price to Pay
No sex? No dough!
Directed by Alexandra Leclère
A light romantic comedy about two men discovering unexpected connection while navigating marital dissatisfaction and financial control.
Jean-Pierre, a wealthy businessman, is lonely. He still desires his wife but she only seems interested in shopping and the beauty salon. Tired of lunching alone every day, one day he decides to invite his chauffeur to join him, and a relationship quickly develops as the two find they have much in common. Are they just cash machines for their wives? Don't they deserve some love in return? Jean-Pierre confiscates his wife's credit card, but things don't turn out exactly the way he'd hoped...
Questions people ask
Is The Price to Pay scary? Barely. Less frightening than 76% of films.
Is The Price to Pay violent? Barely. Less violent than 76% of films.
Is The Price to Pay sad? Not especially. Less sad than 67% of films.
Is The Price to Pay easy watching? Somewhat. More comforting than 67% of films.
Does The Price to Pay end with hope? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble








Like The Price to Pay
Nearest across the full emotional profile.
Same Mood as The Price to Pay
Nearest on what's most distinctive about this one.
Like The Price to Pay, But Darker
Similar, pushed toward heavier and more intense.
Like The Price to Pay, But Lighter
Similar, pushed toward warmer and easier.
Like The Price to Pay, But Less Popular
Same territory, far fewer people have seen it.

















































