
The Ear
Directed by Karel Kachyňa
Produced by Filmové studio Barrandov
A claustrophobic, paranoia-soaked chamber piece about a bureaucrat and his wife trapped in their surveilled home, forced to confront both state oppression and marital decay.
Government bureaucrat Ludvik becomes suspicious after several colleagues disappear and he overhears something strange at a cocktail party. Returning home with his wife, Anna, he finds their house under surveillance and spends a fraught night worrying about his possible arrest in the morning. Marital difficulties come to light as Ludvik and his wife attempt to act normal in front of the cameras while dredging up their problems out of sight.
Clusters
Questions people ask
Does The Ear end with hope? No. Less hopeful than 91% of films.
Is The Ear sad? Yes. More sad than 88% of films.
Is The Ear easy watching? Not especially. Less comforting than 74% of films.
Is The Ear scary? Somewhat. More frightening than 67% of films.
Is The Ear violent? Not especially. Less violent than 64% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
There is almost nothing else like this.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like The Ear
Nearest across the full emotional profile.
Same Mood as The Ear
Nearest on what's most distinctive about this one.
Like The Ear, But Darker
Similar, pushed toward heavier and more intense.
Like The Ear, But Lighter
Similar, pushed toward warmer and easier.
Like The Ear, But Less Popular
Same territory, far fewer people have seen it.


























































