
The Meetings of Anna
Directed by Chantal Akerman
Produced by Paradise Films, Unité Trois
A contemplative, formally austere portrait of emotional detachment and failed human connection, where a filmmaker observes others' confessions with studied indifference.
Detached filmmaker Anna Silver arrives in Germany to show her latest film; over the course of some days, she encounters a variety of new and old faces, some of whom make personal revelations to her to little affect.
Clusters
Genres
Keywords
Questions people ask
Is The Meetings of Anna violent? No. Less violent than 92% of films.
Does The Meetings of Anna end with hope? Barely. Less hopeful than 78% of films.
Is The Meetings of Anna scary? Barely. Less frightening than 76% of films.
Is The Meetings of Anna sad? Yes. More sad than 75% of films.
Is The Meetings of Anna easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
There is almost nothing else like this.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like The Meetings of Anna
Nearest across the full emotional profile.
Same Mood as The Meetings of Anna
Nearest on what's most distinctive about this one.
Like The Meetings of Anna, But Darker
Similar, pushed toward heavier and more intense.
Like The Meetings of Anna, But Lighter
Similar, pushed toward warmer and easier.
Like The Meetings of Anna, But Less Popular
Same territory, far fewer people have seen it.























































